Tuesday, February 17, 2009

Album Review: Thrice: The Alchemy Index Vol. I and II: FIre and Water

Hot off the heals of their genre blending release Vheissu, the boys from the OC, Thrice, have released one of the most ambitious concept albums I have ever listened to.

Many fans were not too pleased when the band decided to stray from their pop-punk roots to expand their sound and explore new instruments, and sonic barriers in Vheissu. Gone were the poppy, youthful anthems from The Artist in the Ambulance and Identity Crisis.

So with a fan base already split between "New Thrice" and "Old Thrice", what is the natural response for a band? In the case of Thrice, it was to leave their label, become independent, and self produce a 4 album conceptual project. Entitled The Alchemy Index, these 4 e.p.'s each focus on an element (Fire, Water, Air, Earth). I will be reviewing Volume 1: Fire and Water.

The Fire album begins with the aptly titled "FireBreather", which has a very ambient, delayed, distorted intro which has the musical quality of a siren. It gives warning to the powerful, menacing chords that follow. This song gets the ball rolling on Fire with an epic intensity, a better album opener could not have been chosen. 

When one thinks of fire, you conjure mental images and thoughts such as: harshness, intensity and destruction. This is precisely the sound you will receive from this e.p. In many ways it is reminiscent of earlier Thrice. Musically, and lyrically the e.p. has a very angry, destructive tone. You will hear a lot of distortion, vicious guitar attacks, and vocalist Dustin Kensrue belting out lines such as, "I love this city, I've set and numbered its days. I love this city, enough that I'll set it ablaze."

Does water have a sound? What are some adjectives used to describe water? Lush, wet, ambient? Ask Thrice. Because they have somehow captured its essence on the Water e.p. Fire and Water are the classic contrast in terms of elements. So it was an obvious choice to package the Fire and Water  discs together. But I am pleased they did, solely because the 2 e.p.'s have absolutely NOTHING in common with each other musically, or lyrically. It truly allows the listener to appreciate their artistic range.

After the punishing ferocity of Fire, the Water disc begins with the subdued, almost underwater nature of "Digital Sea". The lyrical refrain, "Im drowning in a digital sea, here my voice grow to ones and zeros" gives the listener a sense of anxiety, which is quickly quelled by the lush, relaxing atmosphere of the instrumentation. Water's most aggressive moment comes in the 6 minute instrumental song "Night Diving". A beautiful, lush instrumental which seeks to tell the story of a night diver's ups and downs through musical progressions. 

"Open Water" is a MUST HERE song. Lyrically, this is Dustin Kensrue at his prime. He has an innate ability to write in simile, and he puts on a clinic in this song. The somber refrain, "I'm starting to believe the ocean is much like you, because it gives and it takes away." is one of the most powerful moments on either e.p.

If pressed, I would have to say that Water is the stronger e.p. and probably the more accessible for the average listener. Not only for its lush instrumentation and beautiful vocals, but also for the fact that Thrice somehow made an e.p. that sounds like water...which is ridiculous.

Before ending this review, there is one more aspect to this project that needs to be mentioned. Each e.p. concludes with a musical sonnet. The same structure of 14 lines, and 10 syllables per line is followed in these sonnets. Each sonnet is meant to be an expression of that element. Vocalist and lyricist Dustin Kensrue explains, 

"Each sonnet is written from the point of view of the personified element, speaking to mankind, and lamenting our various failings. The Fire sonnet deals with fire being resentful and ashamed of the way it's been used in destruction and war, while the Water sonnet deals with man's pride, and the futility and idiocy of that pride, come face to face with the power of the sea."

recommended if you like: alternative rock, ambient music, concept albums, poetry, the elements?

www.myspace.com/thrice

Friday, February 6, 2009

Album Review: The Gaslight Anthem

"See I've been here for 28 years.
Pounding sweat beneath these wheels.
We tattooed lines beneath our skin.
No surrender, my Bobby Jean."

These are the opening lines to The Gaslight Anthem's song, Meet me by the river's edge, and they give a pretty accurate assessment of what you can expect from the Jersey quartet's sophomore release: The 59' Sound.

Their lyrics reference all of the classics from Tom Petty, to The Counting Crows, to Bob Seger and inevitably The Boss. The title of the record, The 59' Sound, is a reference to the infamous  "day the music died". Song titles such as, Miles Davis and the Cool, only heighten the nostalgic feeling of this record.

Clearly, this is a band that respects the roots and history of music. A quality that seems to be fading in the current era. The album opener, Great Expectations, actually begins with the sound of a vinyl player being scratched by the sound of a needle. From this point on, the record sets the tone for what is to come. 

"Born to run" era storytelling, juiced up reverb on the vocals, countless references to rock 'n' roll legends and musicianship at its finest. All of this, and the band still seems to effortlessly fit into the notorious "Jersey" sound. 

The sheer honesty, and passion behind the vocals of lead vocalist, Brian Fallon, are what makes this band so endearing. He seems to have a voice that speaks to the everyman: earnest, believable and strained in the most believable way.

The 59' Sound is the "raison d'ĂȘtre" for this band. Not a single note, or lyric seems forced or unnatural. This is some of the most honest music you can listen to.

Girls, put on your poodle skirts. Boys, find your favourite white t-shirt and pair of blue jeans. Listen to The Gaslight Anthem's, The 59' Sound, and live the experience. Become a believer that honest, inspired music is not dead. And that the legends of our past still sing a sweet tune. It is undoubtedly my pick for best album of 2008.

Recommended if you like: Springsteen, blues+pop punk, The Killers, The Jersey sound, GOOD MUSIC.

http://www.myspace.com/thegaslightanthem